Tungsten-balanced colour negative films are meant to be shot under (shocker) tungsten lamps, but these are increasingly uncommon. These films — particularly Vision3 500T — are excellent enough performers to warrant consideration for general-purpose photography, including under regular daylight. The colour balance of your scans can be fixed in post, but an 85B colour correction filter might be the best option for a small subset of us — including me.
This video was sponsored by ThisIsHowIRollFilm:
Links referenced in the video:
TIMES
Start
Introduction
Testing methodology
Results
Conclusion
